An olive Georgian dining room with an oxblood ceiling, grey-washed table, six dark timber chairs and a fluted sideboard beneath a green abstract.
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ROOM 80 · Dining Room

A dining room that earns its weekdays

Published

A Georgian back dining room brought into everyday use

The trouble with a formal dining room is how easily it becomes either unused or full of paperwork. This one makes space for both ordinary days and dinner, with a clear table, close storage and an oxblood ceiling worth looking up at.

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THE DESIGN

A room reserved for special occasions asks a lot of its floor space. Here, the dining table can take an afternoon of household paperwork because the means of clearing it is close at hand. A closed folio and a small pile of papers sit beside the Sojat cupboard. The useful idea is simple: give those things a destination before they settle permanently on the table.

The furniture has enough presence to belong in a Georgian room. A grey-washed oak-veneer top sits on substantial black turned legs, with dark sheesham chairs around it. Their iron lattice backs are more open than the silhouette first suggests. The sideboard takes the same dark timber note in a different direction, using horizontal fluting, rounded corners and a low brass-coloured base.

Olive covers the walls; oxblood goes overhead. The ivory cornice keeps that meeting precise, and daylight from the sash window picks out the table grain. A small amber tealight holder is decorative here in daylight. Above the cupboard, Still Not Empty exchanges the furniture’s carved detail for a few loose lines and a green band. Nothing needs to be laid for a party to make the room feel worth entering.

WHY THE ROOM WORKS

Give everyday papers a closing cupboard so the table can return to dinner without moving rooms.

Colour palette

  • Olive
  • Oxblood
  • Ivory
  • Grey-washed oak
  • Dark sheesham
01

Put the cupboard within reach

The sideboard sits on the route between the doorway and table. Papers can be gathered into a folio and put away nearby, which makes clearing for supper a small job instead of a move to another room.

02

Leave some table showing

A bowl and a short stack of plates are enough. The grey-washed top remains available for a meal or an afternoon’s paperwork, rather than disappearing beneath a permanent centrepiece.

03

Use the ceiling as the strong note

Oxblood overhead gives the olive walls a more assertive companion. Ivory cornice makes the junction crisp, while the pale sash frame keeps the window distinct from the deeper colours.

04

Keep the chair backs open

Iron lattice breaks up the tall timber backs. The six chairs have a formal rhythm without forming a solid wall around the table; their narrow, armless shape also leaves the tabletop easy to reach.

05

Let one lighter picture interrupt

Still Not Empty puts a broad patch of cream and a loose green band above the dark cupboard. Its thin frame and spare composition offer a useful pause among turned legs, fluting and dentil moulding.

WHAT TO BORROW

Before giving a dining table a second job, give that job somewhere to go when dinner starts. Nearby closing storage is more useful than another decorative object on the table.

THE PIECES BEHIND THE DESIGN

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