Large minimalist bathroom with pale limestone-look surfaces, a white freestanding bath, oak-effect double vanity, chrome taps, a clear separate shower and a wall-hung WC.
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ROOM 42 · Bathroom

The minimalist bathroom with substance

Published

An imagined contemporary house with a generous bathroom and high daylight glazing.

The gap between bath and basin is where someone dries off, opens a drawer and gets ready. This bathroom keeps that space instead of spending it on another fitting.

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THE DESIGN

Look between the bath and the basin. The space left there is part of the design: a place to walk, dry off and open a drawer without negotiating another fitting. This imagined contemporary bathroom has generous dimensions, but it spends them carefully. Each part of the routine has a clear position.

The Florence bath supplies a long, simple white form against the pale stone surfaces. Its 1800 by 750mm size gives it presence without a decorative plinth or a set of statement feet. The Arvan floor-standing filler sits beside it, with its spout reaching into the bath. The visible metalwork is chrome, a cooler note against the warm floor.

At the vanity, two polymarble basins are integrated into a single white top. The selected Arno unit has two broad drawer fronts, finished in Solace Oak woodgrain. The oak-effect finish brings a warmer note to the white sanitaryware. Two Arvan basin mixers and a wide RAK Picture Soft mirror make a concise working group.

The separate shower uses a clear Nuie screen and an Arvan concealed shower bundle. Across the room, the Portland WC selection includes its frame, concealed cistern and chrome flush plate. These are the principal fixtures for the scheme, rather than a complete installation quotation: waterproofing, drainage, wall support, pipework and the room's stone-look finishes need their own specification.

A bathroom this restrained asks its surfaces to do more. Matt texture softens the light, white sanitaryware gives the eye clear edges, and the woodgrain supplies warmth where hands reach for storage. The empty floor between them remains available for the less photogenic business of getting ready.

WHY THE ROOM WORKS

The fittings have their places. So does the person using them.

Colour palette

  • Limestone
  • Warm white
  • Pale greige
  • Solace oak
  • Chrome
01

The bath has space around it

The 1800mm Florence bath sits apart from the other fittings. The gap around its base makes the outline readable and leaves access for cleaning.

02

A single vanity gathers the routine

Two basins share one 1200mm Arno unit. The oak-effect drawer fronts introduce a softer surface while keeping toiletries close to where they are used.

03

The shower has its own boundary

A clear screen separates the shower from the dry part of the room. Its slim chrome edge gives the glass a readable boundary without a heavy enclosure.

04

The metalwork stays consistent

Chrome is repeated through the basin mixers, bath filler and shower fittings. That consistency keeps attention on the larger stone and timber-toned surfaces.

05

The mirror respects the daylight

The broad, softly rounded mirror sits above the vanity with its LEDs off. Reflected light and a clear view across the room do the daytime work.

WHAT TO BORROW

Draw the space needed to stand, turn and open each drawer before filling the plan with fittings. Keep that space as part of the finished design.

THE PIECES BEHIND THE DESIGN

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The design began with these pieces from our Shop. Open each product for its exact size, finish and retailer details.

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